Family OOP and I realize that's how

and I realize that's how I see everything in life

In his cinematic novel Ranch

A photograph of a corpse tells me nothing of the metaphysical implications of death

"It kills me to look at my old photographs of myself and my friends

It’s a pulse that can only be sensed

Family OOP and I realize that's how"Verene walks right into the lives of his folks, showing you how they are, without any embarrassment on either side. Their togetherness is taken for granted so openly that the viewer feels at each moment like one of them, a member of the clan. Verenes color [is] tender, warm and sensual, though stops well short of being glamorous . . . flooding them all with a strange, sweet romance. These pictures convey his bittersweet fondness for a smaller world